A banner with an image of Tunisian President Kais Saied, which reads in Arabic; "a special discount in support of the president's decisions," is set up in front of a shop in Ariana, Tunisia, on April 8, 2022. © Chedly Ben Ibrahim/Hans Lucas/Redux

Unholy Alliances

October 3, 2024

Tunisia’s elections are to be held this Sunday, and the overdetermined winner will be the man currently serving as President: Kais Saied. The last holdout from the Arab uprisings, the country that gave democracy a chance the longest, Tunisia has descended headlong into autocracy under his rule. Nadia Marzouki, a brilliant Tunisian political sociologist, looks at one surprising factor in Saied’s centralization of absolute power—his unholy alliance with the Tunisian left.

Our other commissioned piece this issue centers on political economy, specifically the venerable question of growth and its limits. Economist Steve Keen picks apart Daniel Susskind’s new book which updates the neoclassical thesis yet in doing so falls into many of its customary traps. Keen goes back in time to an economist of yore to address the contradictions.

This issue’s curated content leads with an essay from Samuel Charap and Miranda Priebe, which nimbly deconstructs a commonplace set of assumptions about Russian power and should be required reading for those who jump to facile conclusions about Russian behavior. We follow with Patrick Iber’s reappraisal of The Age of Extremes, the final volume of Eric Hobsbawm’s classic tetralogy. Published thirty years ago, Hobsbawm’s book was a tonic to the giddy 1990s, a time when liberals chest-thumped with confidence that the future belonged to them. Economic historian extraordinaire Adam Tooze also has something to say about how a 1990s unipolar Western-centric mentality blinded us to key dimensions of the climate debate.

We end with a screed: Nathan Robinson’s no-holds-barred demolition of The Atlantic magazine. Robinson may not be burdened by subtlety, but his skewering of the quintessential middlebrow publication is a sight to behold.

Our musical selection this week is from the recently passed alto saxophonist and Philadelphian Benny Golson, who made a splendid career playing high-end hard bop. Your editor happened to pen an obituary of him in the Gray Lady last week. Here is Golson playing with trumpeter Art Farmer and their esteemed Jazztet the Thelonious Monk standard “Ruby, My Dear.”

—Leonard Benardo, senior vice president at the Open Society Foundations