American gay liberation activist Marsha P. Johnson (left) celebrating Pride with friends at the corner of Christopher Street and 7th Avenue in New York City on June 27, 1982. © Barbara Alper/Getty

Living in Arendt’s World

February 22, 2024

Welcome to The Ideas Letter 10, in which we are delighted to feature a new essay by the savvy, subtle critic, Blake Smith. Blake uses Hannah Arendt’s notion of a world to rethink how minorities—gay culture in his telling—play a crucial role in resisting power by promoting the exchange of ideas. Can Arendt help us overcome the tensions between diversity and free speech? Blake walks us through this tantalizing possibility.

Elsewhere in this edition, Jonathan Rée in the London Review of Books turns the legendary nonagenarian philosopher Alasdair MacIntyre inside out, and reevaluates MacIntyre’s customized critique of Enlightenment ideas. Owen Hatherley, a committed Enlightenment modernist himself, then takes us into the world of architecture and raises questions anew about the modernist/neoclassical divide, especially as it relates to changes in the economy. The opposition between the two styles is, for Hatherley, more than the eye can see.

Dillon Walmsley, in the consistently phenomenal journal Phenomenal World, then dives into Clara Mattei’s important new book on austerity. New questions galore are explored here, especially the canard that austerity is an overdetermined feature—and not a bug—of neoliberalism. In a further exploration of history and austerity, Caleb Wellum discusses, via the New Books Network, how the oil crisis of the 70s wasn’t just about oil, per se, but a transformation in how we think about oil in the culture.

We finish with a London School of Economics video from the eminent British-Saudi social anthropologist Madawi Al-Rasheed. Madawi digs deep into the nature of Saudi nationalism and how its recrudescence under Mohammed bin Salman (MBS) is nationalism of a very different, instrumentalized kind.

Our musical selection this week is pop—pure, unalloyed pop. The singer Jeanette had a global smash hit in the mid-70s with the infectious “Porque te vas” And if you have seen Cría Cuervos, the great work by the Spanish filmmaker Carlos Saura, you will be familiar with the song’s deeper resonances.

—Leonard Benardo, senior vice president at the Open Society Foundations