Election staff count ballots for the 2024 European Parliament election in Bayeux, France, on June 9, 2024. © Artur Widak/NurPhoto/Shutterstock

Illuminating Distinctions

June 27, 2024

Elections for the European Parliament are often a good bellwether for the ideological state of the union. In his Ideas Letter essay, Cas Mudde, the eminent scholar of the right, asks all the “right” questions about the democratic-versus-reactionary dynamic and whether scaremongering can ever be an effective posture.

Our other Ideas Letter essay this issue is from Lily Lynch, a gifted writer who has been publishing far and wide on a variety of themes. Lynch, who is presently based in Constantinople, looks at the irresistible rise of the CHP, the main opposition party, against Prime Minister Recep Tayyip Erdogan’s governing AKP and what this may mean for the future of Turkey’s foreign policy.

We lead our curated section with a close friend of The Ideas Letter, the indefatigable writer Evgeny Morozov, whose new 10-part podcast series A Sense of Rebellion provides an insider’s revisionist take on the founding of smart technologies. With music from Brian Eno, Morozov’s podcast is nothing short of an event in itself.

We then highlight a report from the Carnegie Endowment for International Peace on how Silicon Valley (un)worthies have trip-wired the development sector on the African continent. A story that needs telling and that is told, to boot, from an unlikely narrator.

Next up is another podcast, the second installment from Adrienne Buller’s new venture The Break Down, in which the fine academic Adam Hanieh discusses why moving away from fossil fuels is harder than you think (but no less imperative).

Premilla Nadasen then discusses in New Books Network why we should care that the care industry is so riddled with contradictions.

Our musical selection comes from the pianist Krzysztof Komeda, one of the greats of the Polish jazz scene, whose 1966 avant record Astigmatic was a major contribution when released. The Penguin Guide to Jazz, the bible for jazz aficionados, called it “one of the finest jazz albums ever made in Europe.”

—Leonard Benardo, senior vice president at the Open Society Foundations