A visitor takes a selfie with a robot on July 5, 2023. © Fabrice Coffrini/AFP/Getty

Wrestling With “Statement-ese” and Ends

November 9, 2023

Once upon a time, the late-60s California bard Jim Morrison wrote with plaintive perfection: This is the End, my only friend, the End. Rachael Scarborough King and Seth Rudy take that conceit, and in an unsettling piece apply it to academia, arguing that there’s no shame in academic disciplines reaching their telos. They draw inspiration from the Enlightenment, also a reference point for Indy Johar, who argues that we are in a period of transformation akin to a Newtonian paradigm shift, calling for a deep transformation of our worldview. Jag Bhalla and Nathan Robinson continue in this skeptical mode, swinging against the grand illusions of the techno-optimists, a position the writer/critic Evgeny Morozov has powerfully trumpeted for decades.

The Ideas Letter is committed to heterodox approaches to global politics, and Adam Tooze has been on fire in these dark times. Here he lays waste to the chronic conception of the U.S. as an indispensable power. And in a similar vein, Randall Germain deploys economic history via international relations—in particular, the esteemed writings of mid-20th Century intellectual giants E.H. Carr and Karl Polanyi, to help make sense of the crisis of the last two decades.

Political statements have become a dime a dozen these days, and it was inevitable someone would take a closer look at their general value and sensibility. The fine writer Sam Adler-Bell, best known from the podcast Know Your Enemy, is interviewed here on public radio to help understand the genesis and future of these public declarations. And in Mexico City, another kind of public declaration has become manifest: A movement, or more correctly, countermovement, of monument deployment to express political and ideational alternatives without destroying what came before.

And for an added treat, with hope for additional music in the Letter’s future, here is the incomparable modernist maestro Craig Taborn from a concert at Roulette, a leading Brooklyn purveyor of new music. Tell us what you think… and enjoy!

—Leonard Benardo, senior vice president at the Open Society Foundations